Mamalarky - How To Say
Mamalarky - How To Say
I’m bored. we're all bored. we wrote and recorded a song during this boring time. Here is exactly what it sounds like as a waveform. It's about falling in love and not knowing exactly how to say it yet. This concept of shared love-'you say you love me but what does that mean?' It's like...does love mean the same thing to both of us? Can it ever entirely mean the same thing, being different people who experience life so differently? Maybe that's why they invented the 5 love languages, to reconcile with these little differences in how we give and take and feel love? Maybe this expression that you're listening to now is as close to an understanding of love as anything else. Everything on this track is the first take, meaning we only recorded each part once. It was home recorded, right after SXSW was called off by the covid. It was meant to be a demo and then we were like...actually this sounds more genuine than it would if we just sat in a studio and hacked away at different takes, trying to make it perfect. The result is organic and cage free, but may contain soy and tree nuts.
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'Fury was inspired by acknowledging a suppressed crush, and how scary and exciting that can be. Confronting that truth is the most important thing, despite the difficulties, I definitely learned that the hard way. It feels like our most unhinged song yet, I think you can really get that energy from the layers of guitars and doubled bass line.
I wrote the chord progression for Fury during a soundcheck, feeling pretty pent up after a long drive and wanting something entertaining to play. The lyrics also got written in one go right after we recorded the drums, bass, and guitar tracks, so it feels really untampered with to me. Now that I think of it, the synth hook also happened spontaneously while we were recording, with no rehearsed part written. It's nice to have a song tumble out into the world like you're throwing dice, just seeing what you'll get. That's the general life strategy for Mamalarky lately!!!
Download available in .wav format, with embed artwork & ITunes ready.
Love is everyday magic. That’s the impression you get listening to Water, the new album by Chicago trio Dehd. Veterans of Chicago’s increasingly fruitful DIY scene Jason Balla ( Ne-Hi and Earring) Emily Kempf (Vail and formerly with Lala Lala) and drummer Eric McGrady share a strange and inexplicable chemistry. Love rises up into the atmosphere like steam off a summer sidewalk and makes you wild. Love breaks your heart and you consider yourself lucky for it. Like water itself, it surrounds us, it supports us; it’s what we’re made of. It takes the shape of its container. The music is hazy and reverb-drenched, a scuzzy and hyped-up take on surf rock that could only come from the Third Coast. It’s all animated by the red-lining feel-good spirit of the Velvet Underground’s Loaded and the breezy melodicism of C86-era indie rock, with a dash of the Cramps’ spooky-hop bop courtesy of McGrady’s locomotive drumming.It’s a clear-eyed look at the wild nature of everyday life that’s been spun up in sugary sweet melodies and scratched-crystal sounds. More than anything, it’s the embodiment of Dehd’s m.o. from the start: As Kempf puts it, “Work with what you have and make it magical.”
Inspired by classic British post-punk, the songwriting of Cate LeBon, and the close-knit Brooklyn DIY community from which the band first sprouted, Patio now release their long-awaited debut full-length Essentials, a fundamental collection of new music for 2019. Building upon the delicacy of the band’s prior work, Essentials presents fuller sounds, heightened emotions, and grander thematic complexity. Its 10 tracks are dark and introspective, yet hopeful, and often humorous—from rambling spoken word meditations to sparkling melodies and soaring riffs. Melodramatic and grotesque expressions abound, as do soft, subtle moments of quiet self-examination. Mixed by Amar Lal (Big Ups, Ovlov) and mastered by Sarah Register (Protmartyr, US Girls)
