Mia Joy has had music in her bones her entire life.  Raised in a spiritual home to parents with backgrounds in performing arts and publishing, Mia has been singing since she was a baby and joined the Chicago Children’s Choir at a young age. Mia’s brand of ethereal pop is equally indebted to 90s R&B Icons such as Sade to the ethereal ambient compositions of Grouper.  “I bought my loop pedal because it's the same loop pedal that Liz Harris of Grouper had. I just spent my college check on it.” 

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The trick is to make a confession entertaining. A Private Picture, the debut album by Chicago’s Fran, delivers a collection of extremely personal experiences that have been distilled and abstracted to the point that you can see yourself in their imagery, find analogs to your own emotional history in their scenarios –when you hear them, it’s a conversation. It’s therapy, if therapy was allowed to turn you on and make you shake what you got. At its core, Fran’s music is about sharing a truth -–telling it, confessing it, yelling it—in the service of human connection. Or, as Jacobson puts it, “I feel that I am a songwriter for the same reason I wanted to be an actor. I want to tell the truth. I want to challenge myself to get closer and closer to the core of an experience, an emotion- I want to say it, sing it, in a way that says exactly what it is. I cry when I write songs because I am constantly making discoveries, about myself, about the world, about the best way to convey and connect and get closer.”

1st Pressing
200 - Translucent Red Vinyl
300 - Black Vinyl

Inspired by Throwing Muses, Helium, Pale Saints, and Brix Smith-Start’s work with the Fall, Hanging Garden, the debut album from Philadelphia based Corey Flood  reflects “a reckoning with internal discord.” From the surface, its nine tracks appear to break through the dark fog of the Wish You Hadn’t EP, but just below lay themes of ambivalence, uncertainty, and anxiety, layered elegantly in fuzz. Soft melodies, lush guitars, and churning rhythms shroud relatable tales of gaslighting and self-doubt. Playful surprises also abound, like 70s krautrock guitar work and samba-influenced drum parts. 

On the trance-inducing “Slow Bleeder,” Gray-Klein’s chronic anemia becomes a metaphor for her fear of getting too close to people. "Bands of light cross my room at night / drinking my own poison again,” she sings on the intimate and delicate “Park Deli 7.” As she experimented with writing lyrics for the very first time, Gray-Klein found herself “stuck on a lot of self-destructive, cyclical thinking.” Hanging Garden was recorded at Headroom Studios in Philadelphia, PA by Jackie Milestone, mixed by Natasha Jacobs and mastered by Sarah Register and will be out September 4th 2020 on Fire Talk.

1st Pressing
300 Light Pink Vinyl
200 Black Vinyl