Still Coming Down is Wild Pink’s sixth studio album, and their most refined offering to-date. Continuing along the shredded and steely path forged by 2024’s Dulling The Horns — named one of the year’s best albums by Vogue, Consequence, Paste and more — Still Coming Down doubles down on Wild Pink’s “proper Rock” (Stereogum, Best Albums of 2024) and sticks every landing. Dulling The Horns saw Wild Pink reach new levels of critical acclaim and live success, performing alongside the likes of indie torchbearers Dr. Dog, Crumb, and MJ Lenderman (who lends his guitar skills on Still Coming Down). Still Coming Down finishes out the ride of those highs, settling into a life on the road and reflecting these experiences across a warped and encyclopedic vision of America. Led by John Ross, “one of the best lyricists in indie music” (The Guardian), Wild Pink hunkered down in Asheville’s storied Drop of Sun Studios to record Still Coming Down with virtuosic producer Alex Farrar (Bnny, Wednesday, Samia). At once strange and familiar, Wild Pink’s Still Coming Down is a product of modern times that only John Ross could pen.

DELUXE BUNDLES INCLUDE SIGNED POSTCARD
TEES PRINTED ON COMFORT COLORS
SHIPPING ON/AROUND AUGUST 21, 2026

Still Coming Down is Wild Pink’s sixth studio album, and their most refined offering to-date. Continuing along the shredded and steely path forged by 2024’s Dulling The Horns — named one of the year’s best albums by Vogue, Consequence, Paste and more — Still Coming Down doubles down on Wild Pink’s “proper Rock” (Stereogum, Best Albums of 2024) and sticks every landing. Dulling The Horns saw Wild Pink reach new levels of critical acclaim and live success, performing alongside the likes of indie torchbearers Dr. Dog, Crumb, and MJ Lenderman (who lends his guitar skills on Still Coming Down). Still Coming Down finishes out the ride of those highs, settling into a life on the road and reflecting these experiences across a warped and encyclopedic vision of America. Led by John Ross, “one of the best lyricists in indie music” (The Guardian), Wild Pink hunkered down in Asheville’s storied Drop of Sun Studios to record Still Coming Down with virtuosic producer Alex Farrar (Bnny, Wednesday, Samia). At once strange and familiar, Wild Pink’s Still Coming Down is a product of modern times that only John Ross could pen.

DELUXE BUNDLES INCLUDE SIGNED POSTCARD
TEES PRINTED ON COMFORT COLORS
SHIPPING ON/AROUND AUGUST 21, 2026

“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

*New Deluxe Blue Swirl is a Pre Order and will ship approximately October 2025

Cost of Living Adjustment is the sort-of self-titled album from Cola, the Montreal trio of Tim Darcy (vocals/guitar), Ben Stidworthy (bass), and Evan Cartwright (percussion). C.O.L.A. — an acronym for Cost of Living Adjustment — is a fitting conceptual framework for the band's third record. Why? Because C.O.L.A. considers, among other things, socialism vs. hell. It considers: rolling the dice of life. The erie and sweet pangs that nostalgia can provoke. Following two studio LPs which earned the trio praise from Rolling Stone (Best Indie Rock Albums of 2024), Pitchfork (Best Rock Albums of 2024), Stereogum (Best Songs of 2022) and more, Cost of Living Adjustment is abstract, oblique, sometimes strange, whatever you want to call it. But it is also beautiful, in the classic sense. Beautiful like a painting can be beautiful. It touches on the sublime. It is Cola, the band, at their very best.

THIS ITEM IS A PRE-ORDER SHIPPING ON OR AROUND MAY 8, 2026
DELUXE EDITION LIMITED TO 200 UNITS
SIGNED EDITION LIMITED TO 100 UNITS

There are one million ways to approach love, one million ways to experience love, one million ways in which love shapes both the course of our lives and how we choose to navigate that course. On her second album, Bnny’s Jessica Viscius looks love square in its many eyes and describes, with self-awareness and humor, not only what she sees, but what it makes her feel. Deep romantic love, breathy lust, generous self-love—and their opposites, self-loathing, resentment, disappointment—all make appearances. Like a sheet being draped over a clothesline, channeling Mazzy Star and mimicking the soft, gauzy, fresh feeling of realizing you’re able to begin it all again with a new person. Recorded in Asheville at Drop of Sun and produced by Viscius alongside Alex Farrar (Wednesday, Indigo De Souza, Snail Mail), One Million Love Songs is Bnny’s revelatory second album. Out April 2024 on Fire Talk.

SPLATTER VARIANT REPRESS SHIPPING JUNE 2025 !

Wish On The Bone' is Why Bonnie's sophomore LP and debut for Fire Talk. It's untethered from any landscape or genre, propelled by this freedom and resulting in Why Bonnie's most catchy, hopeful body of work to-date. Ranging from twangy country infused rock jams to more intimate and lo-fi arrangements, ‘Wish on the Bone’ is wide-eyed and waiting. It’s a coming of age film in which the protagonist rejects the forces that have tried, and failed, to shape her into something other than herself. It leaves you with a hard-fought sense of hope, which is among songwriter Blair Howerton’s greatest gifts. “You owe it to the people who are experiencing the worst to just keep pushing,” Howerton says. That’s the throughline of “Wish On The Bone”, a record that rewards with repeated listens.

Everything, the debut album from Chicago quartet Bnny, may as well be a field recording taken from the lone country of grief. Written in sessions that span several years by singer Jess Viscius as she processed the death of her partner, the album is a chronicle of love at its most complex and loss at its most persistent. In the same vein as Sky Blue Sky-era Wilco or the harrowing vulnerability of Tomberlin or Helena Deland, Viscius’ songwriting is evocative and intentional. A longstanding member of the Windy City music scene, the album was produced by Dehd’s Jason Balla, and the sparse arrangements pick apart complicated truths while feeling both timeless and transcendent. Everything is out on Fire Talk (Dehd, Deeper, Pure X, Mamalarky).

into a pretty room — lots of hands’ debut on Fire Talk Records — exists in the tear-stained early mornings of adolescence, just as the sun makes its first appearance over the horizon and thoughts of the night before begin to subside. A collage of reworked demos, freewheeling session standouts, and swatches of instrumental electronics, into a pretty room offers a touching rumination of grief and loss, growing up and letting go.

Billy Woodhouse and Elliot Dryden, the core duo behind lots of hands, first connected in a Newcastle school music program at age 16. Following years of cultivating a dedicated fanbase across 3 self-released records, into a pretty room marks the duo’s first truly collaborative effort, with Dryden often trekking the vast northern English countryside to write and record in Woodhouse’s bedroom studio. Between pints of beer and rounds of Fortnite, the two slowly chipped away at into a pretty room.

Available for pre-order on Hazy Green b tween Clear vinyl, CD, and cassette.

Pleasure is the debut album from Austin underground luminaries Pure X, re-issued on 180 gram vinyl by Fire Talk. Building from promising 7” releases, ‘Pleasure’ continues the band’s affinity for burnt out soundscapes and intricate, understated guitar work that together weaves a moody tapestry of everlasting sunset.  Spotlighted by major press, Pitchfork in particular commended the album as a “terrific-sounding record, built for headphones and high volume.” A revelatory introduction to the band, ‘Pleasure’ pinpoints a signature sound that Pure X would continue to hone over the course of a longstanding career - a pristinely devastating soundtrack that feels pertinent to the end times of the current state of the world. 

Pressed on 180 Gram Black Vinyl.