Bnny - Breaking Up
Bnny - Breaking Up
A new single from Bnny out now.
More From Bnny
Everything, the debut album from Chicago quartet Bnny, may as well be a field recording taken from the lone country of grief. Written in sessions that span several years by singer Jess Viscius as she processed the death of her partner, the album is a chronicle of love at its most complex and loss at its most persistent. In the same vein as Sky Blue Sky-era Wilco or the harrowing vulnerability of Tomberlin or Helena Deland, Viscius’ songwriting is evocative and intentional. A longstanding member of the Windy City music scene, the album was produced by Dehd’s Jason Balla, and the sparse arrangements pick apart complicated truths while feeling both timeless and transcendent. Everything is out on Fire Talk (Dehd, Deeper, Pure X, Mamalarky).
A new single from Bnny.
*Available to download in high resolution lossless format.
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Love is everyday magic. That’s the impression you get listening to Water, the new album by Chicago trio Dehd. Veterans of Chicago’s increasingly fruitful DIY scene Jason Balla ( Ne-Hi and Earring) Emily Kempf (Vail and formerly with Lala Lala) and drummer Eric McGrady share a strange and inexplicable chemistry. Love rises up into the atmosphere like steam off a summer sidewalk and makes you wild. Love breaks your heart and you consider yourself lucky for it. Like water itself, it surrounds us, it supports us; it’s what we’re made of. It takes the shape of its container. The music is hazy and reverb-drenched, a scuzzy and hyped-up take on surf rock that could only come from the Third Coast. It’s all animated by the red-lining feel-good spirit of the Velvet Underground’s Loaded and the breezy melodicism of C86-era indie rock, with a dash of the Cramps’ spooky-hop bop courtesy of McGrady’s locomotive drumming.It’s a clear-eyed look at the wild nature of everyday life that’s been spun up in sugary sweet melodies and scratched-crystal sounds. More than anything, it’s the embodiment of Dehd’s m.o. from the start: As Kempf puts it, “Work with what you have and make it magical.”
“Leaving,’ the sophomore album from Fran, finds the band at a crossroads of loss and possibility, forged through Maria Jacobson’s preoccupation with the climate crisis as well as newfound contemplation of the intertwined nature of theology and religion. There’s an overarching spirit of home that overlays these heavy themes, however, and both gently intentional and evocative, her deliberate musings convey a type of music that feels tactile to the touch. On “Leaving” Jacobson’s sharply wry anecdotes feel astutely impactful, with effortless melodic guitar and string arrangements creating a heartrending backdrop that showcases Fran as another force to watch in the constantly evolving Chicago music scene. Angular, precise and filled with melodic entanglement, this spirited culmination of modern indie folk songwriting, strings and electric guitars highlight the potential release and joy of Jacobsen’s apt storytelling.
Pleasure is the debut album from Austin underground luminaries Pure X, re-issued on 180 gram vinyl by Fire Talk. Building from promising 7” releases, ‘Pleasure’ continues the band’s affinity for burnt out soundscapes and intricate, understated guitar work that together weaves a moody tapestry of everlasting sunset. Spotlighted by major press, Pitchfork in particular commended the album as a “terrific-sounding record, built for headphones and high volume.” A revelatory introduction to the band, ‘Pleasure’ pinpoints a signature sound that Pure X would continue to hone over the course of a longstanding career - a pristinely devastating soundtrack that feels pertinent to the end times of the current state of the world.
Pressed on 180 Gram Black Vinyl.
Toronto’s PACKS make music that’s like leafing through a diary entry of a time without visible movement, a subtle beauty that appears only when paying close attention. The band’s debut is a collection of songs that marry the loose but incisive jangle of early Pavement with the barbed sweetness of Sebadoh and the wide-eyed wonder of the first Shins LP. Written in two different settings, between the city limits of Toronto where Link was living in 2019, and the Ottawa suburbs where she was quarantined with her parents in the spring 2020, both remain complementary emblems of self-reflection and wry observation of the mundanity of daily life. "Take the Cake" is out on Fire Talk (Dehd, Deeper, Mamalarky) on May 21st digitally and July 9th 2021 on vinyl.
1st Pressing
Cake Splatter Vinyl - 300 Copies
Black Vinyl - 400 Copies
Additional Variants
Light Blue Indie Retail Exclusive - 300 Copies
Bright Red Rough Trade Exclusive - 100 Copies
Pocket Fantasy, the sophomore album from Mamalarky is an instant-classic sunny-day record, imaginative and introspective, an enveloping listen of skyhigh hooks and keyboards that soar with joyful abandon. Its twelve kaleidoscopic tracks shapeshift aesthetically and thematically, through ideas about death and impermanence; love and gratitude; nature and technology; humor and hope. Heralded by Billboard, Nylon, The Fader and more, the new album expands on the unique sound of their self-titled debut which Pitchfork called “tenderly tangled indie rock”. On Pocket Fantasy some of the band’s purest pop tendencies collide with more warped and weird strains of quirky psych. It’s a treasure trove of playful grooves and zigzag riffs, a phenomenal album from a young group poised to carve their own place in the bins of your favorite record store.
Deep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date.. The album sounds streamlined and intentional, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. At the center of all these elements is Darcy, whose characteristically wry voice shifts from detached to decisive to distressed, throughout the album’s course. Both enigmatically dense in meaning but precisely intricate in sound, Deep in View is an album that sparks novel interpretations with every listen, like an art object that takes on new shape with each angle from which you hold it.