Deep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date.. The album sounds streamlined and intentional, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. At the center of all these elements is Darcy, whose characteristically wry voice shifts from detached to decisive to distressed, throughout the album’s course. Both enigmatically dense in meaning but precisely intricate in sound, Deep in View is an album that sparks novel interpretations with every listen, like an art object that takes on new shape with each angle from which you hold it.

Cola is a new project from former Ought members Tim Darcy and Ben Stidworthy formed with US Girls drummer Evan Cartwright. "Blank Curtain" provides an exciting hint of the way the new project picks up some of the threads of the pair's earlier work and weaves them into engaging new shapes, constructing a driving tangle of guitars around an arresting performance from Darcy.

"What started as stripped-down open D songwriting with a CR-78 soon became a full album and new band. We wanted to see how far we could stretch our compositions with just drums, one guitar, one bass, and one voice.

Blank Curtain is a quarter note kick drum pushing 240 bpm, a drone-like chord progression, and declarative vocals cutting through the haze. If you could invert the color of the Blank Curtain, you might have something like a Chicago house track that sounds like a band in a room."

*Available to download on high quality .wav format.

Deep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date.. The album sounds streamlined and intentional, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. At the center of all these elements is Darcy, whose characteristically wry voice shifts from detached to decisive to distressed, throughout the album’s course. Both enigmatically dense in meaning but precisely intricate in sound, Deep in View is an album that sparks novel interpretations with every listen, like an art object that takes on new shape with each angle from which you hold it.

“I want nothing more than to be a loner,” Emily Kempf sings early on Flower of Devotion, the new album by Chicago trio Dehd. It’s a startling admission coming from a songwriter who, just a year ago on Dehd’s critically acclaimed Water, wrote eloquently about the joys and pains — more than anything, the necessity — of love, compassion, and companionship. But then, “admission” isn’t really the right word here, given the stridency of Kempf’s tone. “Loner” is a declaration.

The record ups the ante on Dehd’s sound & filters in just enough polish to bring out the shining and melancholy undertones in Jason Balla and Emily Kempf’s songwriting, even as it captures them at their most strident. Balla’s guitar lines at times flirt with ticklish cosmic country, while at others they reflect the dark marble sounds of Broadcast. Kempf, meanwhile, establishes herself as a singer of incredible expressive range, pinching into a high lonesome wail, letting loose a chirping “ooh!,” pushing her voice below its breaking point and letting it swing down there. When she and Balla bounce descending counter-melodies off one another over McGrady’s one-two thumps, or skitter off over a programmed drum pad, they sound like The B-52s shaking off heartache.

What makes Flower of Devotion so impressive is how its creation seems to have strengthened its creators, both as individuals and as a unit, even as they’ve stared down their own limitations. It’s also striking just how much fun they seem to be having in the process. “It’s okay to be lighthearted in the face of despair,” Kempf says. It’s a theme that runs through the album, from the opening back-and-forth build of “Desire” to the click-clacking chorus of “Haha,” which finds them deflating their own history. Flower of Devotion was recorded in April and August of 2019 in Chicago. It will be released on Fire Talk Records on July 17th 2020.

2nd Pressing
Glow in the Dark Vinyl - 300 Copies
Black in Bright Green Vinyl - 500 Copies
Black Vinyl - 500 Copies

1st Pressing
Neon Green Splatter Vinyl - 500 Copies
Black Vinyl - 500 Copies

* Additional color variants available via fine independent retailers everywhere.

Deeper's Auto Pain: Deluxe Edition reframes the liminal spaces of the Chicago quartet’s searingly-nuanced sophomore effort about grief and resilience into a densely-layered perspective of emotional maximalism fearless in its vulnerability. The deluxe edition includes remixes from fellow ascending artists Working Men’s Club, PVA, NNAMDI and more as well as two stripped-back demos and live versions from the band’s performance at the Chicago Cultural Center in March 2021. While the original version delivered a masterclass in razor-sharp post punk, the expanded record gives a glimpse into a lens of a year full of adversity and the growth and perspective that draws these songs together to pack a powerful, personal punch. Auto Pain: Deluxe Edition is out September 3rd on Fire Talk.

Limited to just 500 direct to fan copies! Spot gloss gatefold jacket w/ printed inner sleeves, updated artwork and liner notes & pressed on two ultra limited variants.

Deluxe package includes 5 remixes, 2 demos and 6 live recordings, full track list on the inner flap of the gatefold image below.

The debut album from Chicago based Deeper. Origins of the project date back to 2014 where the band has made their mark locally supporting like minded acts Omni, Protomartyr, Chris Cohen & fellow Chicago powerhouses Whitney & Ne-Hi. Fresh off official after show appearances at Pitchfork & Lollapalooza the band is poised to jump out wide with this debut record. 9 tracks channel the anxiety and uneasiness of modern life in this pit of endless internet, chiming post punk rave ups with pointed "of the times" lyrics & gorgeous ambient interludes woven in. 

‘Fairy Rust’, the new album from Wombo contemplates the spaces in-between, a meeting of the physicality of the land with the fluidity of the imagination, to uncanny effect. Across twelve tracks, sharpened guitar work, distorted freakouts and downtempo musings weave together a tapestry of sound that’s both intoxicating and effortless, where one minute it’s all deadpan post-punk energy, and the next Stereolab on a mountain top. The music functions as their own localized language that feels uniquely out-of-body. Conceived over the course of the last two years, the record is steeped in its own time warp of escapism, and influenced by fairy tales like the Brothers Grimm and Hans Christian Anderson that blend surreal situations with the mundane. Flirting with prog, pop and effervescent post-punk, Wombo’s forward-thinking approach set them apart as one of the most exciting up-and-coming bands right now. MIxed by Dave Vettraino (Dehd, Deeper, Lala Lala) & Mastered by Jonathan Schenke (Parquet Courts, Snail Mail, Pottery).

Inspired by classic British post-punk, the songwriting of Cate LeBon, and the close-knit Brooklyn DIY community from which the band first sprouted, Patio now release their long-awaited debut full-length Essentials, a fundamental collection of new music for 2019. Building upon the delicacy of the band’s prior work, Essentials presents fuller sounds, heightened emotions, and grander thematic complexity. Its 10 tracks are dark and introspective, yet hopeful, and often humorous—from rambling spoken word meditations to sparkling melodies and soaring riffs. Melodramatic and grotesque expressions abound, as do soft, subtle moments of quiet self-examination. Mixed by Amar Lal (Big Ups, Ovlov) and mastered by Sarah Register (Protmartyr, US Girls) 

Listening to Weeping Icon’s debut album is to enter a dim catacomb of psychical catharsis. Urgent yet calculated riffs rip through a thunderous pummel of percussion, an anomalous blend of punk and psychedelic drumming carries the songs with an atmosphere of organized chaos.. Lyrically they are both serious and sarcastic, trading off vocalists to confront issues central to a generation, dosing listeners with a controlled sense of horror and humor like flavors in a dish.The band’s debut record “Weeping Icon” is a collection of 7 songs that archive the metamorphosis into heavier and more provocative territories. In keeping with their live performance, a sequence of dystopian sound interludes complete the album, serving as guided meditations between the candid subversive fury of the main tracks. Recorded and mixed by Uniform's Ben Greenberg and mastered by Jonathan Schenke in New York City.