Get Wombo’s “Slab / Keesh Mountain” Split LP, “Fairy Rust” and “Blossomlooksdownuponus” all in one bundle for a special low price!

“Slab” is the new EP from Louisville-based Wombo available digitally on Fire Talk. With past accolades from Bandcamp, Brooklyn Vegan, the FADER, Pitchfork, Paste & Flood, “the band’s expertly executed art-rock sound is complete with droning guitars, frenetic chords, and angular melodies that make it impossible not to get up and move to” (Uproxx). Slab continues their perchance for mesmerizing dreamscapes and eerily addictive refrains on this homespun, transitional EP.

Get both the “Slab” and “Keesh Mountain” EPs pressed to one vinyl record and limited to just 500 copies.

*This is a pre order and will ship on or before November 15th 2023

On the one year anniversary of “Blossomlooksdownuponus” Louisville, KY's avant-pop / post-punk / whatever-rock rookies of the year WOMBO have signed to Fire Talk. The excellent young trio of Sydney Chadwick (bass/vox), Cameron Lowe (guitar), and Joel Taylor (drums) follow in the footsteps of futuristic garage-funk greats with a lovably kool wit, while somehow managing to be sincerely, effortlessly, and unforgivingly themselves. The weird world of Wombo is a kaleidoscopic journey of sharp turns and surprising visions, a melting pot of influences with a cheeky cheshire-cat grin that coalesce into a trippy but infinite universe of the band’s own, and a portal into their unique vantage point without limitation. Already committed to living outside the traditionally-heralded country sound of the music scene in their hometown of Louisville, Sydney Chadwick (vocals) and Cameron Lowe (guitar) had previously played in punk pop band the Debauchees, and with the addition of Joel Taylor (drums) in 2016 they found a winning combination of more straightforward indie rock combined with Chadwick’s pitched up, oscillating vocals and unpredictable shifts in melody that see the band moving forward at an impressive pace. Their 2020 Blossomslookdownuponus LP is a snapshot of Wombo’s wide-ranging aspirations that careen across avant pop, post punk and warbly indie interludes with a sky’s-the-limit approach to translating the mundanity of regular life into their own high-frequency language.

Limited to 300 copies on Lemon Yellow Vinyl

Deep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date.. The album sounds streamlined and intentional, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. At the center of all these elements is Darcy, whose characteristically wry voice shifts from detached to decisive to distressed, throughout the album’s course. Both enigmatically dense in meaning but precisely intricate in sound, Deep in View is an album that sparks novel interpretations with every listen, like an art object that takes on new shape with each angle from which you hold it.

On Kassie Krut’s self-produced, self-titled debut EP, their approach is deceptively simple. With a constrained palette and a penchant for repetition, they find a world of opposing textures and timbres: electric and acoustic, synthetic and organic, smooth and frictive, terrestrial and celestial. Their scratch-made sounds melodize the hard-edged noise of daily life—car alarms, notification chimes, dial tones, feedback—setting it against stutter-step high hats, pots-and-pans percussion, and tensile bass tones that thrash around in the head like a rubber ball.

Limited to 300 copies.

out digitally on December 6th / physically out 2025

For PACKS, making a record isn’t a means to an end; the making of the record is a communal experience, bottled up for the public to hear. On third album Melt the Honey PACKS explores a state of contentment, even bliss, long elided. The self-produced record honors the unpretentious disaffection of the grunge movement and the inventive arrangements of Guided By Voices, whose prolific output has inspired PACKS since their inception. To make Melt the Honey, PACKS traveled to Mexico City, where Madeline Link had spent significant time as an artist-in-residence at Casa Lü. Over the course of 11 days, PACKS practiced new songs in a rented studio space. From there, they took a bus to Xalapa where they worked as artists-in-residence at a house known as Casa pulpo, an architectural feat removed from the bustle of city life. “The house has no straight lines, it puts you in a creative mindset,” Link says. Melt the Honey, is an outward-facing testament to the wonderfully strange details of daily life, vividly rendered by a songwriter who knows they’re worthy of reverence. Out January 19th on Fire Talk. 

*This is a pre order and will ship on or before the January 19th release date.

The Gloss is the second album from Cola. From their inception Cola have expanded on the d.i.y. ethic of the Dischord and SST eras, creating potent sounds from a minimal palette of drums/bass/guitar and lacing their songs with winsome one-liners and societal commentary. What’s another word for commentary? Gloss, apparently. Never basic, the lyrics reward repeated listening for deeper meanings. David Berman’s poetry-via-garage light pennings are an inspiration, as equally so are the lighter side of UK first-wave New Wave and the Dunedin sound. The results are in the pudding: at times sparse and poetic, at others a thrilling, hook-laden good time, as with the cheeky romantic sketch of a one-night stand that is so overflowing with innuendo-cum-journalism talk that it almost teeters over into self-parody. But the results are the right combination of lightheartedness and sincerity. Romanticism is never far from laughter, and equally never far from righteous anger in the music of Cola: “Pulling quotes now in the dark/Our outlook is restrained/Your tongue might weaken to be-fit your smile/Til nothing ill remains.” ‘nuff said. It's an album bursting with energy and wit and ideas–filled to the margins. Out June 14th 2024 on Fire Talk. 

The debut album from Chicago based Deeper. Origins of the project date back to 2014 where the band has made their mark locally supporting like minded acts Omni, Protomartyr, Chris Cohen & fellow Chicago powerhouses Whitney & Ne-Hi. Fresh off official after show appearances at Pitchfork & Lollapalooza the band is poised to jump out wide with this debut record. 9 tracks channel the anxiety and uneasiness of modern life in this pit of endless internet, chiming post punk rave ups with pointed "of the times" lyrics & gorgeous ambient interludes woven in. 

“I want nothing more than to be a loner,” Emily Kempf sings early on Flower of Devotion, the new album by Chicago trio Dehd. It’s a startling admission coming from a songwriter who, just a year ago on Dehd’s critically acclaimed Water, wrote eloquently about the joys and pains — more than anything, the necessity — of love, compassion, and companionship. But then, “admission” isn’t really the right word here, given the stridency of Kempf’s tone. “Loner” is a declaration.

The record ups the ante on Dehd’s sound & filters in just enough polish to bring out the shining and melancholy undertones in Jason Balla and Emily Kempf’s songwriting, even as it captures them at their most strident. Balla’s guitar lines at times flirt with ticklish cosmic country, while at others they reflect the dark marble sounds of Broadcast. Kempf, meanwhile, establishes herself as a singer of incredible expressive range, pinching into a high lonesome wail, letting loose a chirping “ooh!,” pushing her voice below its breaking point and letting it swing down there. When she and Balla bounce descending counter-melodies off one another over McGrady’s one-two thumps, or skitter off over a programmed drum pad, they sound like The B-52s shaking off heartache.

What makes Flower of Devotion so impressive is how its creation seems to have strengthened its creators, both as individuals and as a unit, even as they’ve stared down their own limitations. It’s also striking just how much fun they seem to be having in the process. “It’s okay to be lighthearted in the face of despair,” Kempf says. It’s a theme that runs through the album, from the opening back-and-forth build of “Desire” to the click-clacking chorus of “Haha,” which finds them deflating their own history. Flower of Devotion was recorded in April and August of 2019 in Chicago. It will be released on Fire Talk Records on July 17th 2020.

2nd Pressing
Glow in the Dark Vinyl - 300 Copies
Black in Bright Green Vinyl - 500 Copies
Black Vinyl - 500 Copies

1st Pressing
Neon Green Splatter Vinyl - 500 Copies
Black Vinyl - 500 Copies

* Additional color variants available via fine independent retailers everywhere.