Danger in Fives isn’t a reintroduction; it’s a reminder. Throughout the record, Wombo not only enhance their formula, but routinely perfect it. Maintaining the confidence of their last full-length, 2022’s Fairy Rust, Danger in Fives reconnects with the intuition that led their wild experiments on the 2020 debut LP Blossomlooksdownuponus. The elements central to Wombo remain true, and are only strengthened across a near-decade of crafting mesmeric rock. 

Danger in Fives isn’t a reintroduction; it’s a reminder. Throughout the record, Wombo not only enhance their formula, but routinely perfect it. Maintaining the confidence of their last full-length, 2022’s Fairy Rust, Danger in Fives reconnects with the intuition that led their wild experiments on the 2020 debut LP Blossomlooksdownuponus. The elements central to Wombo remain true, and are only strengthened across a near-decade of crafting mesmeric rock. 

Get Danger in Fives on the format of your choice + an exclusive Wombo lighter and deck of playing cards bundled together for one sweet deal.

PRE-ORDER, SHIPPING AUGUST 2025

LIMITED TO 50 BUNDLES PER FORMAT

‘Fairy Rust’, the new album from Wombo contemplates the spaces in-between, a meeting of the physicality of the land with the fluidity of the imagination, to uncanny effect. Across twelve tracks, sharpened guitar work, distorted freakouts and downtempo musings weave together a tapestry of sound that’s both intoxicating and effortless, where one minute it’s all deadpan post-punk energy, and the next Stereolab on a mountain top. The music functions as their own localized language that feels uniquely out-of-body. Conceived over the course of the last two years, the record is steeped in its own time warp of escapism, and influenced by fairy tales like the Brothers Grimm and Hans Christian Anderson that blend surreal situations with the mundane. Flirting with prog, pop and effervescent post-punk, Wombo’s forward-thinking approach set them apart as one of the most exciting up-and-coming bands right now. MIxed by Dave Vettraino (Dehd, Deeper, Lala Lala) & Mastered by Jonathan Schenke (Parquet Courts, Snail Mail, Pottery).

“Slab” is the new EP from Louisville-based Wombo available digitally on Fire Talk. With past accolades from Bandcamp, Brooklyn Vegan, the FADER, Pitchfork, Paste & Flood, “the band’s expertly executed art-rock sound is complete with droning guitars, frenetic chords, and angular melodies that make it impossible not to get up and move to” (Uproxx). Slab continues their perchance for mesmerizing dreamscapes and eerily addictive refrains on this homespun, transitional EP.

Get both the “Slab” and “Keesh Mountain” EPs pressed to one vinyl record and limited to just 500 copies.

*This is a pre order and will ship on or before November 15th 2023

Recorded in caves, crypts, and shopping centers, Mandy, Indiana's debut album’ i've seen a way’ is everywhere at once: Their first recordings emerged around 2019, with a smattering of early singles released not long after, culminating in 2021’s critically acclaimed ‘…’ EP which saw the band draw early cosigns including a remix from Daniel Avery and support slots from Squid, and Gilla Band.  The latter’s Daniel Fox mixed several of the tracks on the album alongside Robin Stewart (Giant Swan) and the album was mastered by Heba Kedry (Ryuichi Sakamoto, Bjork).  Like Thomas Bangalter locked in This Heat's Cold Storage fridge studio with Special Interest for a weekend, keeping their setup minimal for maximum effect. Buried found sound samples, sprawling percussive experiments are arranged via oblique references to film soundtrack strategies and experimental video games.. "We take inspiration from films where the language of cinema is disrupted," explains Fair, who takes Julia Ducournau's narrative detournements as a key influence. "We want to alter textures, create clashes, and craft those moments when what you're expecting to happen never comes – by subverting expectations you keep an audience on its toes." Though ‘i’ve seen a way’ was  painstakingly crafted, where Mandy, Indiana thrives is the unexpected - and the resulting album sounds like nothing that has come before it.

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The Gloss is the second album from Cola. From their inception Cola have expanded on the d.i.y. ethic of the Dischord and SST eras, creating potent sounds from a minimal palette of drums/bass/guitar and lacing their songs with winsome one-liners and societal commentary. What’s another word for commentary? Gloss, apparently. Never basic, the lyrics reward repeated listening for deeper meanings. David Berman’s poetry-via-garage light pennings are an inspiration, as equally so are the lighter side of UK first-wave New Wave and the Dunedin sound. The results are in the pudding: at times sparse and poetic, at others a thrilling, hook-laden good time, as with the cheeky romantic sketch of a one-night stand that is so overflowing with innuendo-cum-journalism talk that it almost teeters over into self-parody. But the results are the right combination of lightheartedness and sincerity. Romanticism is never far from laughter, and equally never far from righteous anger in the music of Cola: “Pulling quotes now in the dark/Our outlook is restrained/Your tongue might weaken to be-fit your smile/Til nothing ill remains.” ‘nuff said. It's an album bursting with energy and wit and ideas–filled to the margins. Out June 14th 2024 on Fire Talk. 

“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

*New Deluxe Blue Swirl is a Pre Order and will ship approximately October 2025

There are one million ways to approach love, one million ways to experience love, one million ways in which love shapes both the course of our lives and how we choose to navigate that course. On her second album, Bnny’s Jessica Viscius looks love square in its many eyes and describes, with self-awareness and humor, not only what she sees, but what it makes her feel. Deep romantic love, breathy lust, generous self-love—and their opposites, self-loathing, resentment, disappointment—all make appearances. Like a sheet being draped over a clothesline, channeling Mazzy Star and mimicking the soft, gauzy, fresh feeling of realizing you’re able to begin it all again with a new person. Recorded in Asheville at Drop of Sun and produced by Viscius alongside Alex Farrar (Wednesday, Indigo De Souza, Snail Mail), One Million Love Songs is Bnny’s revelatory second album. Out April 2024 on Fire Talk.

SPLATTER VARIANT REPRESS SHIPPING JUNE 2025 !

The debut album from Chicago based Deeper. Origins of the project date back to 2014 where the band has made their mark locally supporting like minded acts Omni, Protomartyr, Chris Cohen & fellow Chicago powerhouses Whitney & Ne-Hi. Fresh off official after show appearances at Pitchfork & Lollapalooza the band is poised to jump out wide with this debut record. 9 tracks channel the anxiety and uneasiness of modern life in this pit of endless internet, chiming post punk rave ups with pointed "of the times" lyrics & gorgeous ambient interludes woven in. 

On Kassie Krut’s self-produced, self-titled debut EP, their approach is deceptively simple. With a constrained palette and a penchant for repetition, they find a world of opposing textures and timbres: electric and acoustic, synthetic and organic, smooth and frictive, terrestrial and celestial. Their scratch-made sounds melodize the hard-edged noise of daily life—car alarms, notification chimes, dial tones, feedback—setting it against stutter-step high hats, pots-and-pans percussion, and tensile bass tones that thrash around in the head like a rubber ball.

Limited to 300 copies.

out digitally on December 6th / physically out 2025