Danger in Fives isn’t a reintroduction; it’s a reminder. Throughout the record, Wombo not only enhance their formula, but routinely perfect it. Maintaining the confidence of their last full-length, 2022’s Fairy Rust, Danger in Fives reconnects with the intuition that led their wild experiments on the 2020 debut LP Blossomlooksdownuponus. The elements central to Wombo remain true, and are only strengthened across a near-decade of crafting mesmeric rock. 

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‘Fairy Rust’, the new album from Wombo contemplates the spaces in-between, a meeting of the physicality of the land with the fluidity of the imagination, to uncanny effect. Across twelve tracks, sharpened guitar work, distorted freakouts and downtempo musings weave together a tapestry of sound that’s both intoxicating and effortless, where one minute it’s all deadpan post-punk energy, and the next Stereolab on a mountain top. The music functions as their own localized language that feels uniquely out-of-body. Conceived over the course of the last two years, the record is steeped in its own time warp of escapism, and influenced by fairy tales like the Brothers Grimm and Hans Christian Anderson that blend surreal situations with the mundane. Flirting with prog, pop and effervescent post-punk, Wombo’s forward-thinking approach set them apart as one of the most exciting up-and-coming bands right now. MIxed by Dave Vettraino (Dehd, Deeper, Lala Lala) & Mastered by Jonathan Schenke (Parquet Courts, Snail Mail, Pottery).

Danger in Fives isn’t a reintroduction; it’s a reminder. Throughout the record, Wombo not only enhance their formula, but routinely perfect it. Maintaining the confidence of their last full-length, 2022’s Fairy Rust, Danger in Fives reconnects with the intuition that led their wild experiments on the 2020 debut LP Blossomlooksdownuponus. The elements central to Wombo remain true, and are only strengthened across a near-decade of crafting mesmeric rock.

• Comfort Colors
• 100% ring-spun cotton
• Fabric weight: 6.1 oz/yd² (206.8 g/m²)
• Garment-dyed
• Relaxed fit
• 7/8″ double-needle topstitched collar
• Twill-taped neck and shoulders for extra durability
• Double-needle armhole, sleeve, and bottom hems

This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!

Danger in Fives isn’t a reintroduction; it’s a reminder. Throughout the record, Wombo not only enhance their formula, but routinely perfect it. Maintaining the confidence of their last full-length, 2022’s Fairy Rust, Danger in Fives reconnects with the intuition that led their wild experiments on the 2020 debut LP Blossomlooksdownuponus. The elements central to Wombo remain true, and are only strengthened across a near-decade of crafting mesmeric rock. 

Get Danger In Fives + Wombo’s Blossomlooksdownuponus and Fairy Rust on color Vinyl Bundled for one sweet deal!

Deep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date.. The album sounds streamlined and intentional, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. At the center of all these elements is Darcy, whose characteristically wry voice shifts from detached to decisive to distressed, throughout the album’s course. Both enigmatically dense in meaning but precisely intricate in sound, Deep in View is an album that sparks novel interpretations with every listen, like an art object that takes on new shape with each angle from which you hold it.

On Kassie Krut’s self-produced, self-titled debut EP, their approach is deceptively simple. With a constrained palette and a penchant for repetition, they find a world of opposing textures and timbres: electric and acoustic, synthetic and organic, smooth and frictive, terrestrial and celestial. Their scratch-made sounds melodize the hard-edged noise of daily life—car alarms, notification chimes, dial tones, feedback—setting it against stutter-step high hats, pots-and-pans percussion, and tensile bass tones that thrash around in the head like a rubber ball.

Limited to 300 copies.

out digitally on December 6th / physically out 2025

The debut album from Chicago based Deeper. Origins of the project date back to 2014 where the band has made their mark locally supporting like minded acts Omni, Protomartyr, Chris Cohen & fellow Chicago powerhouses Whitney & Ne-Hi. Fresh off official after show appearances at Pitchfork & Lollapalooza the band is poised to jump out wide with this debut record. 9 tracks channel the anxiety and uneasiness of modern life in this pit of endless internet, chiming post punk rave ups with pointed "of the times" lyrics & gorgeous ambient interludes woven in. 

into a pretty room — lots of hands’ debut on Fire Talk Records — exists in the tear-stained early mornings of adolescence, just as the sun makes its first appearance over the horizon and thoughts of the night before begin to subside. A collage of reworked demos, freewheeling session standouts, and swatches of instrumental electronics, into a pretty room offers a touching rumination of grief and loss, growing up and letting go.

Billy Woodhouse and Elliot Dryden, the core duo behind lots of hands, first connected in a Newcastle school music program at age 16. Following years of cultivating a dedicated fanbase across 3 self-released records, into a pretty room marks the duo’s first truly collaborative effort, with Dryden often trekking the vast northern English countryside to write and record in Woodhouse’s bedroom studio. Between pints of beer and rounds of Fortnite, the two slowly chipped away at into a pretty room.

Available for pre-order on Hazy Green b tween Clear vinyl, CD, and cassette.

There are one million ways to approach love, one million ways to experience love, one million ways in which love shapes both the course of our lives and how we choose to navigate that course. On her second album, Bnny’s Jessica Viscius looks love square in its many eyes and describes, with self-awareness and humor, not only what she sees, but what it makes her feel. Deep romantic love, breathy lust, generous self-love—and their opposites, self-loathing, resentment, disappointment—all make appearances. Like a sheet being draped over a clothesline, channeling Mazzy Star and mimicking the soft, gauzy, fresh feeling of realizing you’re able to begin it all again with a new person. Recorded in Asheville at Drop of Sun and produced by Viscius alongside Alex Farrar (Wednesday, Indigo De Souza, Snail Mail), One Million Love Songs is Bnny’s revelatory second album. Out April 2024 on Fire Talk.

SPLATTER VARIANT REPRESS SHIPPING JUNE 2025 !

Recorded in caves, crypts, and shopping centers, Mandy, Indiana's debut album’ i've seen a way’ is everywhere at once: Their first recordings emerged around 2019, with a smattering of early singles released not long after, culminating in 2021’s critically acclaimed ‘…’ EP which saw the band draw early cosigns including a remix from Daniel Avery and support slots from Squid, and Gilla Band.  The latter’s Daniel Fox mixed several of the tracks on the album alongside Robin Stewart (Giant Swan) and the album was mastered by Heba Kedry (Ryuichi Sakamoto, Bjork).  Like Thomas Bangalter locked in This Heat's Cold Storage fridge studio with Special Interest for a weekend, keeping their setup minimal for maximum effect. Buried found sound samples, sprawling percussive experiments are arranged via oblique references to film soundtrack strategies and experimental video games.. "We take inspiration from films where the language of cinema is disrupted," explains Fair, who takes Julia Ducournau's narrative detournements as a key influence. "We want to alter textures, create clashes, and craft those moments when what you're expecting to happen never comes – by subverting expectations you keep an audience on its toes." Though ‘i’ve seen a way’ was  painstakingly crafted, where Mandy, Indiana thrives is the unexpected - and the resulting album sounds like nothing that has come before it.

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